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Script Supervising and Film Continuity, by Pat P Miller
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This definitive handbook explains how a script is transformed into a motion picture or television program. Readers will learn the methodology and craft of the script supervisor, who ensures that the continuity of a film, its logical progression, is coherent.
The book teaches all vital script supervising functions, including how to:
.prepare, or "break down" a script for shooting
.maintaining screen direction and progression
.matching scenes and shots for editing
.cuing actors
.recording good takes and prints
preparing time and log sheets for editing
This revision of an industry classic has been updated to reflect changes in the film industry in recent years, including the use of electronic media in the script supervisor's tasks. While it is written for the novice script writer, it can serve as a valuable resource for directors, film editors, scriptwriters and cinematographers.
- Sales Rank: #609987 in Books
- Published on: 1998-12-31
- Released on: 1999-01-29
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x .58" w x 6.00" l, .93 pounds
- Binding: Paperback
- 256 pages
Review
'Full of useful illustrations, forms and diagrams...' - Videomaker
"Script Supervising and Film Continuity is a must for those would-be directors, writers, and editors who are long on ambition and short on experience. By divulging the techniques and tools of creating continuity this book is a valuable resource for the continuity conscious." - Videomaker, April 2000
From the Publisher
The book teaches all vital script supervising functions, including: how to prepare, or "break down" a script for shooting; maintaining screen direction and progression; matching scenes and shots for editing; cueing actors; recording good takes and prints; preparing time and log sheets for editing. This revision of an industry classic has been updated to reflect changes in the film industry in recent years, including the use of electronic media in the script supervisor's tasks. While it is written for the novice script writer, it can serve as a valuable resource for directors, film editors, scriptwriters and cinematographers.
From the Back Cover
This definitive handbook explains how a script is transformed into a motion picture or television program. Readers will learn the methodology and craft of the script supervisor, who ensures that the continuity of a film, its logical progression, is coherent.
The book teaches all vital; script supervising functions, including how to
.prepare, or "break down" a script for shooting
.maintain screen direction and progression
.match scenes and shots for editing
.cue actors
.record good takes and prints
.time and log sheets for editing
This revision of an industry classic will be updated to reflect changes in the film industry in recent years, including the use of electronic media in the script supervisor's tasks. While it is written for the novice script writer, it can serve as a valuable resource for directors, film editors, scriptwriters and cinematographers.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Excellent book, but becoming dated
By Charles Findlay
As a beginning Script supervisor, this book was recommended first and foremost by everyone who I spoke to about training. It does cover all the necessary functions of a script supervisor. If you're looking for comprehensive coverage of the job then this book will do it.
The limitations are that it is an old book. The last revision occurred 14 years ago when using the internet and computers to script supervise were starting to take hold. Now with that said, I've worked on numerous film set, some of them in the tens of millions of dollars, and most script supervisors still didn't use a computer, so it isn't essential. Commercials are another story and nearly all of them with major accounts that I've worked on (in non-script roles) the scripty used a computer.
Another issue I've noticed is that film really isn't used much on many films. Everything is digital so there is much more dead footage because the director decides to keep rolling and take from the top. If you're not on top of stuff, you'll quickly lose track of what's going on. Experience and mentoring count for a lot.
Still if you need an introduction then this is the go-to book for script supervising.
14 of 14 people found the following review helpful.
Necessary resource, if unglamorous treatment
By (0=2)px
Miller's book provides the necessary foundational data one will need before getting into script supervising. Her writing doesn't exactly scintillate with humor like some of the new "guerilla filmmaking" books out there today -- she tends to write like a 1950s schoolteacher, precise and methodical -- but in an admittedly esoteric specialization of the industry where there are only a few books on the topic available, you really don't have a lot of options and you'll need this book. It's NOT sufficient for giving one the complete training needed to actually work as a script supervisor, however. Whoever wrote that you can learn what you need to know "on set" is just asking for trouble -- it's like thinking you can read a book on piloting an airplane and just get behind the yoke and learn "what you need to know" in the air. On a "real" film set (not some zero-budget digicam or student project that no one will ever see) mistakes are EXPENSIVE. Mistakes by a poorly trained s.s. can cost thousands of dollars (not including the cost of therapy when the director and editor go bonkers trying to cut the film from the scripty's notes.) Trying to learn on a "real" set could make it the first and the last real movie set you'll ever work on. I value Miller's book but it must be combined with a good course of study with a real-life teacher who can answer your questions. A course that includes on-the-job training and followup and information on how to research and obtain real jobs doing script supervising is critical -- obviously no book can contain all this. I found Jim Kelly Durgin's course to be helpful in this regard, and there may be others out there too if you look for them. BTW, I don't feel that the 3rd edition of the Miller book is substantially different or better than the 2nd, so if you need to save some money, you'll do just fine with the 2nd edition. I agree that she is old-fashioned (she doesn't deal _at all_ with the new continuity software on the market, a huge omission) but, again, there aren't that many books about this subject readily available.
0 of 0 people found the following review helpful.
Interesting and informative even if you are not in the buisines
By Diane M. Kitchen
Although the book is not up to date with current technology (and really who can keep up) the basic core concepts remain.
If you are thinking of going to film school or going to become a script supervisor it is a must read--as it spells out the most important part of the job..........there is a tremendous time commitment..........it's a cool job but you will work many long hours and you cannot miss a day.........this info alone is worth the $$.
Whether the job requirements scare you or not there is a wealth of info for any field in the industry, because guess what...the script supervisor has to keep track of all of it!
As a layman it's a cool insight into what goes on in the film industry--if you want to know and appreciate all that goes into a production pick up this book!
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