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If You Want to Write: A Book about Art, Independence and Spirit (w/linked toc), by Brenda Ueland
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Everybody is talented, original and has something important to say.
And it may comfort you to know that the only people you might suspect of not having talent are those who write very easily and glibly, and without inhibition or pain, skipping gaily through a novel in a week or so. These are the only ones who did not seem to improve much, to go forward. You cannot get much out of them. They give up working presently and drop out. But these, too, were talented underneath. I am sure of that. It is just that they did not break through the shell of easy glibness to what is true and alive underneath--just as most people must break through a shell of timidity and strain.
Everybody Is Talented
Everybody is talented because everybody who is human has something to express. Try not expressing anything for twenty-four hours and see what happens. You will nearly burst. You will want to write a long letter or draw a picture or sing, or make a dress or a garden. Religious men used to go into the wilderness and impose silence on themselves, but it was so that they would talk to God and nobody else. But they expressed something: that is to say they had thoughts welling up in them and the thoughts went out to someone, whether silently or aloud.
Writing or painting is putting these thoughts on paper. Music is singing them. That is all there is to it.
Everybody Is Original
Everybody is original, if he tells the truth, if he speaks from himself. But it must be from his true self and not from the self he thinks he should be. Jennings at Johns Hopkins, who knows more about heredity and the genes and chromosomes than any man in the world, says that no individual is exactly like any other individual, that no two identical persons have ever existed. Consequently, if you speak or write from yourself you cannot help being original.
- Sales Rank: #347084 in eBooks
- Published on: 2010-04-21
- Released on: 2010-04-21
- Format: Kindle eBook
Amazon.com Review
This book so speaks to the contemporary writer that it is nearly impossible to believe that it was originally published in 1938. In If You Want to Write, Brenda Ueland sets forth not just a philosophy about how to write or how to create, but also about how to live. Beginning writers will certainly be encouraged by Ueland's words, but even the most experienced have much to glean from Ueland's simple wisdom. "Everybody," writes Ueland in the opening chapter, "is talented, original, and has something important to say." Finding that something important involves embracing creative idleness ("the imagination needs moodling--long, inefficient, happy idling, dawdling and puttering"), freeing "what we really think, from what we think we ought to think," and "thumb[ing] your nose at all know-it-alls, jeerers, critics, doubters." One must think, she says, "of telling a story, not of writing it." And when revising one's writing, she advises, "do not try to think of better words, more gripping words.... It is not yet deeply enough imagined." Finally, "whenever you find yourself writing a single word or phrase or page dutifully and with boredom, then leave it out.... If what you write bores you, it will bore other people." And just because If You Want to Write is passionate, sincere, and even spiritual, do not think it is not also witty. One footnote bluntly declaims, "No doubt my terms would horrify a psychologist but I do not care at all." Elsewhere Ueland titles a chapter "Why Women Who Do Too Much Housework Should Neglect It for Their Writing." Amen, sister!
From Publishers Weekly
Ueland argues that anyone can write well once the imagination is freed from self-consciousness, anxiety and fear of failure. This is a fresh and vivid approach to creative endeavors.
Copyright 1987 Reed Business Information, Inc.
Review
"It's a perfect book for both beginning and advanced writing students. It's wonderfully inspirational and can be coupled with just about any teaching technique."—Erin Cressida Wilson, Duke University
"The finest book written on the art and spirit of writing."—Shann Ferch, Gonzaga University (Spokane, WA)
"I have consistently used If You Want to Write for eight years now in English 241, and the students have loved it every semester."—Mel Livatino, Truman College (Chicago, IL)
"If You Want to Write does a superb job of reassuring student writers whose schooling has often robbed them of any confidence in their own voices. Nothing else I know does a better job of explaining to first-year college students the necessity of passion in the writer."—Shelby Grantham, Dartmouth College
"I was with [Ueland] right up to the end and wanted to shout, 'Amen.'"—Andrei Codrescu, poet, author, and National Public Radio commentator
"I only have to read a few sentences and I am infected with the desire to follow her."—Women's Review of Books
Most helpful customer reviews
354 of 359 people found the following review helpful.
The book of a lifetime
By Nigey Lennon (nigella@earthlink.net)
I found this book by accident while browsing through a now-defunct Los Angeles bookstore/cafe. It was the luckiest accident of my life. At that point I had been a professional writer for more than twenty years, but I rarely enjoyed my work, and I felt all of it was disposable in one way or another. At first, reading "If You Want to Write" gave me an incredible, if unfamiliar, feeling of joy and self-confidence. Afterwards, I began to surprise the hell out of myself in terms of what I was able to accomplish. This simply written book states some of the most profound truths about life and creativity I have ever read. Whenever I get stuck on a project I go back and re-read it, and its warmth, generosity, and brilliance always inspire me to go on. It should almost be titled "If You Want to Live", because far more than being a how-to book on writing, it makes an eloquent argument that we all can live creative lives as long as we're true to ourselves.
142 of 147 people found the following review helpful.
This Book Led Me to EPIPHANY
By Theresa Williams
I will admit from the start that this book is not for everyone. It won't appeal to all writers and artists. However, I believe the book was written for people who are looking for a way to lead an authentic life and to achieve authenticity in their art. As with Natalie Goldberg's WRITING DOWN THE BONES, this book feels as though it was written just for me, and that's the true beauty of IF YOU WANT TO WRITE. If the book speaks to you, as it did to me, you may find yourself having the first great epiphany of your artistic life. Her book sits in a prominent place in my home and in my heart. I have read it many times and underlined countless passages. As I struggled to finish my first book, I looked to Ueland for support and confidence. By far the two most memorable passages for me are the one in which she describes a time she was playing the piano and was told her playing wasn't "going anywhere." She then discusses the relationship that MUST exist between the artist and the person experiencing the art. (Her philosophy is strongly influenced by the observations of Tolstoy.) She points out that this relationship is necessary in order for us to produce meaningful art. The second passage that is extremely meaningful to me is related to the first passage. She describes the time Vincent Van Gogh wrote a letter to his brother and drew a tender image of a streetlight that he was looking at outside his window. The drawing is beautiful because it came out of his intense love for his brother and his desire to share something beautiful with him, not from a desire for recognition or fame. This is what Ueland means by authenticity, which she, like Blake, connects to the divine source existing within each individual. This book changed forever the way I view the artistic expression.
70 of 72 people found the following review helpful.
Read it 'til you can't anymore
By Jeremy
Read this book. Read it all the way through. You might say to yourself "this is juvenile. This is na�ve." But read it. Press on. Read it thoroughly. Set your mind on "accept" and let the book be right all the time.
Then, read it again. Keep reading it when you are not writing. Randomly pick a page and start. Read it out of order. Perhaps you'll find the Blake, or the Van Gogh; one of her students, or one of her tirades against the niggardly busy-busy world. Read it while watching T.V.(but not while driving a car!)
Soon, you just can't read it anymore. Because it's tedious? Because you've memorized it? Because its pages are stained with finger oil and falling apart?
Because you will be too damn busy furiously writing. And rewriting, then writing again. You will fear--with a creaky feeling in your gut--that a short break may jettison the idea you're blessed with off into the unexpressed void, then banish the next one, and the next one, like a home-run slugger on a roll at batting practice, all which demand permanence--because they all got that something. And you don't dare stop typing (at 75 W.P.M, with pauses of concentrated, exacting thought between) because you must, you absolutely soulfully must, capture this thought perfectly, then quickly move on to the next antsy thought tapping its toe impatiently behind, before it gets insulted and walks out to planet nowhere in a huff.
So read it. And I hope you read it so much that you just don't have the time to read it anymore, and it is gathering dust while your page is gathering words.
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