Download Richard Strauss : A Critical Commentary on His Life and Works (Vol. II), by Norman Del Mar
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Richard Strauss : A Critical Commentary on His Life and Works (Vol. II), by Norman Del Mar
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Norman Del Mar (1919-1994) was universally recognised as a leading authority on the music of Richard Strauss, and his masterly three-volume study of his life and works remains a classic. Volume II spans the years 1912 to 1933 (the premiere of Arabella), taking in the Ariadne versions, Die Frau ohne Schatten, the ballets and much incidental music. 'Deploying a well-nigh encyclopaedic knowledge, Mr Del Mar acquits himself brilliantly of his task of disentangling and reassembling the numerous strands that make up the backcloth of poetry and philosophy which Strauss, while not always understanding every intricacy, yet needed as a constant reference map for his composing. The three volumes of this magnificent book should be studied by all lovers of the late-romantic music, amateurs and professionals alike ... a monumental achievement.' Times Literary Supplement 'A brilliant and copiously analytical study ... a constant fascination.' Guardian
- Sales Rank: #2018421 in Books
- Published on: 1986-02
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x 1.25" l,
- Binding: Paperback
- 480 pages
Most helpful customer reviews
13 of 13 people found the following review helpful.
A complete guide for listening to the music of R. Strauss
By sean@schoolmusic.com
Del Mar was a man who accepted a very challenging task: to show the world the importance and genius of Richard Strauss at a time when it was the fashion to dismiss the relative importance of this exceptional composer.
Del Mar's approach to this challenge helped create the great three volume work we have here, but also created a text that impairs the readers to truly put Strauss' accomplishments into perspective. Del Mar was clearly a Strauss fan, who felt Strauss was under appreciated. To best hide his impartiality, much like a father coaching a son in little-league baseball, he gave Strauss no special treatment, and at times even goes overboard to try and prove to the readers that he is a fair judge.
This approach has allowed this work to become a valued base line for studying Strauss the Composer, but also furthered the lack of credit given to Strauss in the Academic world. One gets the feeling that Strauss never entered the ranks of the other master composers such as Wagner, Beethoven, and Mahler.
Most importantly these books serve as an invaluable resource for any serious Strauss listening - all tone poems and major works are covered in great detail, with plenty of musical examples and figures. Del Mar did a very, very thorough job. The reading is fun, passionate and never dry.
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